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Kazimir Malevich
suprematism
eight red rectangles, 1915 oil on canvas 57.5x48.5
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Kazimir Malevich
suprematist composition
1923-25, oil on canvas 80.3x80.3
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Kazimir Malevich
suprematist construction
1915-16, oil on canvas 53x53
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Kazimir Malevich
suprematism
1915 oil on canvas 70x44
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Kazimir Malevich
suprematism
1915 oil on canvas 97x66
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Kazimir Malevich
half figure with a pink face
1928-32 oil on canvas 72x65
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Kazimir Malevich
complex presentiment
1928-32 oil on canvas 99x79
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Kazimir Malevich
self-portrait
1933 oil on canvas 73x66
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Kazimir Malevich
three figures
1928, oil on canvas 37x27
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Kazimir Malevich
head of a peasant
1930, oil on plywood 69x55
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Kazimir Malevich
head of a peasant
1928-32 oil on canvas 63.5x51
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Kazimir Malevich
black square
late 1920 oil on canvas 106x106
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Kazimir Malevich
composition
1928-32 oil 40x56
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Kazimir Malevich
formula of suprematism
after 1920 watercolour, gouache and graphite pencil on paper 36x54
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Kazimir Malevich
peasant woman
1930 oil on canvas 98.5x80
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Kazimir Malevich
Suprematist Composition
Suprematist Composition, oil painting by Kazimir Malevich 1916
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Kazimir Malevich
Painterly Realism of a Football Player--Color Masses in the 4th Dimension, oil on canvas painting by Kazimir Malevich, 1915, Art Institute of Chicago
Painterly Realism of a Football Player--Color Masses in the 4th Dimension, oil on canvas painting by Kazimir Malevich, 1915, Art Institute of Chicago
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Kazimir Malevich
Suprematism
Date 1915(1915)
Medium Oil on canvas
Dimensions Height: 101.5 cm (40 in). Width: 62 cm (24.4 in).
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Kazimir Malevich
Suprematism. Two-Dimensional Self-Portrait
Date 1915(1915)
Medium Oil on canvas
Dimensions 80 x 62 cm (31.5 x 24.4 in)
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Kazimir Malevich
Black Cross
Date 1920s
Medium Oil on canvas
Dimensions 8 x 6 cm (3.1 x 2.4 in)
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| Kazimir Malevich
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1878-1935
Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments
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